[99] On 21 December 2016, Google commemorated the anniversary of de Lucía's birth with a Google Doodle created by Google artist Sophie Diao that was shown in Spain, Mexico, and several South American nations. Adolescent, il reçoit, en 1962, le prix spécial du concours d'art flamenco organisé par la ville andalouse de Jerez de … Paco de Lucía recibió la influencia de dos escuelas, la del Niño Ricardo (1904-1972), considerado como una de las figuras más destacadas de la guitarra flamenca y el precursor más directo de Paco de Lucía, y la de Sabicas (1912-1990), a quien se considera como el máximo influyente en el desarrollo y perfeccionamiento de la guitarra flamenca como instrumento de concierto (antes, la guitarra era un instrumento de acompañamiento al cantaor). Paco de Lucía (Nombre artístico de Francisco Sánchez Gómez; Algeciras, 1947 - Cancún, México, 2014) Músico español, considerado como el guitarrista flamenco de mayor prestigio internacional. 1972; Fuente y Caudal. $104.99. "[45] In 1992, he performed live at the bullring at Seville Expo '92, and a year later on the Plaza Mayor in Madrid, playing "La Barrosa". De Lucía lived for five years in Quintana Roo, Mexico, but returned to his native Spain in 2003 after professing to have become really tired with spending his whole life touring for six to eight months a year, getting up at the crack of dawn and living in hotels. [16] A year later, he was awarded a special prize at the Festival Concurso International Flamenco de Jerez de la Frontera flamenco competition.[6]. [39][86] He had a revolutionary influence on flamenco music both as a composer and otherwise. Fez carreira como compositor, produtor e guitarrista. [64] In 1998 he released and produced "Luzia", dedicated to his dying mother (hence the Portuguese spelling of her name). Richard Chapman and Eric Clapton describe de Lucía as a "titanic figure in the world of flamenco guitar", highlighting his "astounding technique and inventiveness" and his broad range of musical ideas from other styles, such as Brazilian music and jazz. 1969; El duende flamenco. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. [47] Di Meola remarked that the music had become too "wild and crazy" and that he preferred to explore the quieter side of music, something Paco also felt, saying that he preferred "controlled expression to velocity. [17] In the early 1960s, de Lucía toured with the flamenco troupe of dancer José Greco. "[53] "Gloria al Niño Ricardo" is dedicated to Niño Ricardo who was de Lucía's "first hero" of the guitar. De Lucía composed original film scores for several films in the 1980s, including The Hit, a 1984 film in which he provided the soundtrack with Eric Clapton, with a minor contribution by Roger Waters. La Fabulosa Guitarra De Paco De Lucia. 4.7 out of 5 stars 13. "[31] The recording was released as En vivo desde el Teatro Real. [20], In the late 1960s, de Lucía toured Europe with a group called Festival Flamenco Gitano and encountered other new talents in the flamenco world including singer Camarón de la Isla, with whom he enjoyed a fruitful collaboration between 1968 and 1977. [63] In 1997, de Lucía performed in a tribute show to the assassinated Spanish politician Miguel Angel Blanco, alongside the likes of Julio Iglesias and Los Del Rio. "[87] In 2004 interview with El País he said "I have always found that the more technique you have the easier it is to express yourself. [19] He appeared at the 1967 Berlin Jazz Festival. Ya echaba de menos hacer un disco . DVD $32.03 $ 32. [57][58] One track on the album, a tarantas, is dedicated to Sabicas. [87] His influence on flamenco guitar has been compared with that of Andrés Segovia's on classical guitar. His 1976 album, Almoraima, was a wider success and featured Almoraima and Río Ancho. Paco De Lucía Con Orquesta De Cadaqués Dirigida Por Edmon Colomer: Paco De Lucía Con Orquesta De Cadaqués Dirigida Por Edmon Colomer - Concierto De Aranjuez De Joaquín Rodrigo ‎ (LP, Album) Philips: 510 301-1: Spain: 1991: Sell This Version Almoraima by PACO DE LUCIA (2014-06-18) Paco de Lucia. He appeared at the 49th Carthage International Festival on 31 July, playing at the Roman Theatre.[76][77]. I might add that Paco plays it with a great deal of feeling, far more than is normally heard. He trained with his father and brother from the age of five. "[22], Organizers began offering de Lucía lucrative contracts for concert tours in 1967, which he declined as he preferred to tour in company, which he did with his brother Ramón, de la Isla and other musicians. Later, after learning to play the guitar and tasked with figuring out a way to bill himself, wanting to honor his Portuguese mother Lucía Gomes, he adopted the stage name Paco de Lucía. [3], De Lucía was noted for his fast and fluent picados (fingerstyle runs). [91] This includes, but is not limited to, his collaborations with Di Meola, McLaughlin, and Pedro Iturralde.[92][93]. Heralded as a child prodigy, de Lucia was invited to join the flamenco troupe led by dancer José Greco at the age of 16. According to Gerhard Klingenstein, top jazz musicians who appeared at the festival (i.e. A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. "[32], In 1977, de Lucía married Casilda Varela, the daughter of General Varela and descendant to a powerful Basque industrialist Ampuero family; they had three children. "[29] The album also features several other tracks named after Andalusian landmarks, a theme de Lucía continued in his later albums. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. [13], Paco's brother Ramón idolized Niño Ricardo, and taught his complex falsetas to his young brother, who would learn them with relative ease and change them to his own liking and embellish them. Paco de Lucia - Entre dos aguas (1976) full video - YouTube Miles Davis, Thelonious Monk), profoundly influenced de Lucía, and sparked a fascination for jazz that remained with him throughout his life. Francisco Gustavo Sánchez Gómez[1] (21 December 1947 – 25 February 2014), known as Paco de Lucía (IPA: [ˈpako ðe luˈθi.a]), was a Spanish virtuoso flamenco guitarist, composer, and record producer. Paco de Lucia, considered by his fans and critics to be the world's greatest flamenco guitarist, died Wednesday in Mexico of a heart attack. [65] It is considered to be one of de Lucía's most complete and mature artistic statements.[66]. Una grabación en vivo es un lujo, puedes sentir la respiración de los músicos que están a tu lado, es espontáneo, festivo, te lo pasas bien. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history.[4]. [90] As a composer, de Lucía was the first Spanish artist to mix jazz with Andalusian music in a more or less systematic way. [89] Along with Enrique Morente and Camarón de la Isla, de Lucía was the first artist to break away from traditional flamenco and form what is now known as nuevo flamenco. Paco de Lucía y Ramón de Algeciras en Hispanoamérica (1969年) ※with ラモン・デ・アルヘシラス 12 Hits para 2 guitarras flamencas y orquesta de cuerda (1969年) ※with ラモン・デ・アルヘシラス 『カストロ・マリン』 - Castro Marín (1981年) ※with ラリー・コリエル 、 ジョン・マクラフリン In 1989, de Lucía refused to perform at the bullring in Seville with Plácido Domingo and Julio Iglesias. [45], By the mid-1980s, both the Sextet and the Guitar Trio had reached its plateau and stopped performing together,[46][47] although de Lucía would continue to perform with McLaughlin as a duo across Europe in 1986 and later. by Paco de Lucía & Ramon de Algeciras | 1997. "[36] In 1978, Paco and his brothers recorded Interpreta a Manuel de Falla, a classical effort of compositions by Manuel de Falla. He released a "Golden" double compilation album in 1982, La Guitarra de Oro de Paco de Lucía, covering Paco's earliest recordings with Ricardo Modrego of Federico García Lorca songs to date, and featured two siguiriyas, a flamenco form in which he hadn't indulged in his recordings since 1972. [78][79][80][81][82] His remains are buried at the municipal cemetery of his hometown Algeciras, Andalucía. [14], As also with Ramón, Ricardo was Paco's most important influence, and his first guitar hero; Paco said "all of us youngsters would look up to him, trying to learn from him and copy him. He was also known for some years to select countries where he did not usually perform, and played at the Arena in Pula, Croatia in 2006 and 2010,[74][75] and in Turkey, Morocco and Tunisia in 2013. [6][9][10] At one point, his father took him out of school to concentrate solely on his guitar development. [31] De Lucía performed on an episode of Parkinson on BBC in the UK, in which Michael Parkinson said "a marvelous young musician who is making his very first appearance on British television. [43], On his 1984 album, Live... One Summer Night, De Lucía not only played guitar, but also filled the role of producer. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. De Lucía recorded many albums with his brother, including Canciones andaluzas para 2 guitarras (1967), Dos guitarras flamencas en América Latina (1967), Fantasía flamenca de Paco de Lucía (1969), and 12 Hits para 2 guitarras flamencas y orquesta de cuerda (1969). The skill of these musicians is technically astounding, but don't be deterred: this music has warmth, humour and soul. The event was broadcast on national WDR television. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. [67] He continued to keep a holiday home in Mexico though and regularly visited with his family. Pohren said that de Lucía's performance "was brilliant technically, and played a meaningful, moving, traditional brand of flamenco that did not betray what Paco had in store for the flamenco guitar in the future. [54][55] Several of his compositions from that album form the staple of his contemporary concert performances, and he often begins his concerts with La Cañada. Only 1 left in stock - order soon. His brother Pepe commented that de Lucía had quit a two-pack a day smoking habit 20 days earlier, and vowed to take up more sports activity after the death of his friend Félix Grande. "[15] In 1958, at age 11, Paco made his first public appearance on Radio Algeciras. Siroco is often cited as his best album and one of the greatest flamenco albums of all time.[50][51]. 1987; Zyryab. The city of Algeciras, de Lucia's birthplace, declared two days of official mourning. en directo. Zyryab is a 1990 album by flamenco guitarist Paco de Lucía and his sextet. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco.". He understood this instrument, which he saw as a permanent solution to the need for percussion in flamenco. Only 5 left in stock - order soon. In 1992, he performed live at Expo '92 in Seville and a year later on the Plaza Mayor in Madrid. "[17] Like many other flamenco guitarists he often played a Hermanos Conde guitar and had his own signature model,[95] but had a range of guitars in his collection. 1990; Concierto De Aranjuez. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. [98] In the same year, he was posthumously inducted into the Latin Songwriters Hall of Fame for his contributions to flamenco music. Entre dos aguas, a rumba featuring bongos with an electric bass, means "Between two waters," referring to his home town of Algeciras, where the Mediterranean meets the Atlantic. Paco de Lucía nació en el barrio de La Bajadilla de la ciudad andaluza de Algeciras, un barrio popular y predominantemente gitano. Paco de Lucía, who was born into a musical family and grew up to become one of the world's greatest guitarists, mastering flamenco music and finding new audiences by blending it with jazz and other genres, died on Wednesday in Mexico. They met Esteban Sanlucar in Buenos Aires and Juan Serrano in Detroit, and during 1970 spent considerable time in New York City where they grew close to Sabicas and Mario Escudero, playing together into the night.[23]. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. After 2004 he greatly reduced his public performances, retiring from full touring, and typically only gave several concerts a year, usually in Spain and Germany and at European festivals during the summer months. Paco de Lucía was born on 21 December 1947[5] as Francisco Sánchez Gómez in Algeciras,[6] a city near the far southern point of Spain in the province of Cádiz. "[47] In May 1986, he performed at the Centro de Bellas Artes Rock music festival alongside the likes of Earl Klugh, Spyro Gyra, and Dave Valentin. He played a set with his brother Ramón, in front of a relatively young audience without the use of effects. [61] Biographer Pohren, however, at the time of writing his biography in 1992, said that he was still not proficient and had found a bizarre way of learning the piece, locking himself away.[62]. [48], In 1987, de Lucía performed for the first time in the Soviet Union,[49] and went back to his roots with his highly successful release, Siroco. Tracklist Hide Credits. In 2004, de Lucía released Cositas Buenas with Javier Limón. Despite considerable new interest in flamenco and de Lucía's playing generated by the album, traditionalist flamenco critics did not approve of the piece and hated that many people considered Mediterranean Sundance flamenco music and frowned upon de Lucía. by Paco de Luc a and Dieter Hens. [25] Escudero was a major influence on de Lucía during this period, inspiring him to explore new possibilities for flamenco. This would be his last LP with a singer for at least 15 years. He died on February 25, 2014 in Playa del Carmen, Quintana Roo, Mexico. As it is typical of Paco de Lucía's flamenco recordings, he explores different rhythms styles such as bulerías, rumbas and tangos, among others. [56], Although the sextet had declined after 1986, in 1990 they got together to record Zyryab, a groundbreaking Arabic flamenco/jazz album with jazz pianist Chick Corea and fellow virtuoso flamenco guitarist Manolo Sanlúcar. [60], Until asked to perform and interpret Joaquín Rodrigo's Concierto de Aranjuez in 1991, de Lucía was not proficient at reading musical notation. According to biographer Pohren, de Lucía was "fascinated with jazz" and held a deep respect for high-tech jazz musicians, regarding Di Meola, McLaughlin, Coryell and Corea as highly as musicians as he did his flamenco mentors. [94] Despite these influences, according to the Jazz Times, "Most flamenco fans can trace the music's history to either Before Paco or After Paco. In 2010, he was awarded an honorary doctorate by Berklee College of Music in Boston,[73] and performed at the Montreux Festival. All the rhythms are played gracefully by Paco maintaining a perfect balance between the rhythmic sections (specially hand clapping) and cantaores. 1. [11] In a 2012 interview de Lucía stated that, "I learned the guitar like a child learns to speak. Although he remained tied to traditional flamenco on his first two solo albums -- La Fabulosa Guitarra de Paco de Lucia in 1967 and Fantasia Flamenca in 1969 -- and recorded ten albums accompanying flamenco vocalist de la Isla, de Lucia continued to seek a personal approach. [24] He began working with record producer José Torregrosa. De Lucía reportedly suffered from headaches and backaches while performing because he found it difficult to improvise and follow McLaughlin and Coryell's advanced knowledge of jazz improvisation. A master of contrast, he often juxtaposes picados with rasgueados and other techniques and often adds abstract chords and scale tones to his compositions with jazz influences. He was married to Casilda Varela. Solo Quiero Caminar Paco de Lucia. Customers who bought this item also bought. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. The Fuente y caudal album was one of the best-selling Spanish records for several months and de Lucía and Torregrosa found that the additional instruments and approach away from traditional flamenco proved more popular with the general public. [40], In 1982, Paco put on a series of concerts with jazz pianist Chick Corea. See full bio » In 2004 he toured the United States and Canada with Seville flamenco singer La Tana,[39] but subsequently greatly reduced his live performances in public. In 1979, de Lucía, John McLaughlin, and Larry Coryell formed The Guitar Trio and together made a tour of Europe and released a video recorded at London's Royal Albert Hall entitled Meeting of the Spirits. $3.99 shipping. Mercurio, Paolo (2014). [2] He is noted for his innovation and colour in harmony and his remarkable dexterity, technique, strength and fluidity in his right hand, capable of executing extremely fast and fluent picados. [8], His father Antonio received guitar lessons from a cousin of Melchor de Marchena: Manuel Fernández (aka Titi de Marchena), a guitarist who arrived in Algeciras in the 1920s and established a school there. Read Full Biography. Paco de Lucia and Guardian Angel, œuvre de Lola Lonli (2012). He was 66. I have never studied music, I am incapable of studying harmony—I don't have the discipline, playing with McLaughlin and Di Meola was about learning these things. [59] The album was critically well-received; Jazz Times praised the passion and rhythm of the musicians featuring on the album. And that goes for the orchestra that backs him up. Retrieved 29 January 2020. ^ "Paco | pacodelucia.org" (in Spanish). He remained with the group for three years. Yet, de Lucia did not completely forsake traditional flamenco. A year later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. 4.9 out of 5 stars 26. The rhythmic drive of the fast movements literally breathes within the beat, and the impassioned pathos of the Adagio makes … 4.0 out of 5 stars 8. Pohren said that de Lucía's decision to work with musicians like McLaughlin, Di Meola, Coryell, and Chick Corea must have been an "exciting and stimulating" experience for him, given their technical musical knowledge and ability to improvise and said that they carried him "so far afield that at times he must have been profoundly confused, a man running the risk of losing his musical identity. A turning point in de Lucia's musical development came while on tour with Greco's troupe in North America. ‎The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez). It was released on Blue Thumb Records by Universal Music Spain S.L., and features four bulerías, two rumba tracks, a tangos and a tientos. "[37] This concerned de Lucía, who said in a late 1990s interview, "I have never lost the roots in my music, because I would lose myself. More Buying Choices $32.02 (8 used & new offers) En Hispanoamérica. Esteban de Sanlúcar and Mario Escudero were also major influences on him and sources of inspiration. Paco de Lucia & Group. "[12], Flamenco guitarist and biographer Donn Pohren and record producer José Torregrosa compared Paco's relationship with his father to the relationship of Wolfgang Amadeus Mozart and Leopold Mozart in the way both fathers "moulded their sons" into becoming world-class musicians, and both continued to dictate even after the latter became famous. Paco de Lucía was born on December 21, 1947 in Algeciras, Cádiz, Andalucía, Spain as Francisco Sánchez Gómez. Paco De Lucia, Al Di Meola and John McLaughlin - Mediterranian Sun Dance Performed LiveSubscribe for more music! 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